The Dark Wild by Piers Torday

When my NetGalley request for this title was approved, I squealed with excitement. The Dark Wild follows the highly-acclaimed The Last Wild, which I've already expressed my love for in this post, and I've been looking forward to reading more ever since. For your own sake, if you haven't read The Last Wild and you want to, perhaps you should be doing that rather than reading this. 

The Dark Wild picks up right where we left Kester, but now he finds himself facing problems bigger than he could imagine. Polly has disappeared after confessing she holds a secret that could bring down Facto, leaving Kester desperate to find her. In his search for Polly he soon discovers another Wild, and another Wildness - a Dark Wildness who wants nothing but to destroy all humans. And Kester, with his ability to talk to all animals, lands right in the middle of everything. 

For those of you who have read The Last Wild, this sequel will certainly not disappoint. Torday hasn't lost the pace, charm or humour, and The Dark Wild will keep you gripped to the point that you'll possibly miss your lunch (I did...). The animals are fantastic, with distinct voices and characters that you can understand why Kester is so attached and protective of them. You may never look at a cockroach or a rat the same way ever again. 

The Dark Wild is a spectacular adventure, bringing far more elements to the story and leaving you hungry for the final installment. Published by Quercus, The Dark Wild is available from 27th March. You can read extracts from both books on the website: The Last Wild. 

The Last Wild by Piers Torday

I have to admit that when I picked up a copy of The Last Wild I didn't know anything about it. I do not know how I had missed it for so long, and I'm rather ashamed I did. The reason I did pick it up was for two simple lines on the back of the book: 

1. There is a flock of excited pigeons in his bedroom. 
2. They are talking to him.

I wondered what pigeons would say if they could talk, so I bought the book with no other expectations.

Kester is a boy living inside a quarantine zone. The world outside has become dangerous due to the Red Eye virus that has run rampant and killed out all the wildlife - except the animals known as vermin (pigeons, rats, cockroaches). Contact with any animal is avoided, in case they are carrying the deadly Red Eye. But soon Kester, who hasn't been able to speak for years, discovers he can communicate with the pigeons and even the cockroach who help him make a dramatic escape back into the quarantine zone. And it's here that Kester learns the truth: not all of the animals have died. There are only a few left, and their numbers are dwindling as they are ravaged by the disease. But they now have a human who they can talk to, who they can convince to help them find a cure for the Red Eye, so that the last remaining wild can be saved.


Rather amusingly, I had been trying to avoid dystopian books for a while. After The Hunger Games, it seemed like there were too many showing up on the market with very little to offer. So I'm incredibly pleased I wasn't aware this was a dystopian book, otherwise I would not have picked it up, and I would have missed out on a brilliant story.

This is a great book for readers who are interested in dystopian fiction, but perhaps not old enough to get into the more popular YA titles of this genre or want to avoid the ones that are particularly dark. That's not to say those who enjoy the YA titles won't enjoy The Last Wild - in fact, they may find it a refreshing take on dystopias. With adventure and hints at fantasy, this book is a great read with a strong message about the importance of wildlife and nature. Kester is a fascinating lead character who will appeal to both boys and girls. The animals who accompany him are equally fantastic and quite comical at times.

The Last Wild has just been listed on the Waterstones Children's Book of the Year shortlist, and its sequel, The Dark Wild, is due out at the beginning of April. So it's time to start reading it if you haven't already. You can buy The Last Wild from Quercus books here.

The Letter for the King by Tonke Dragt

When I did my degree in Literature, most books I read were written by what we came to call the DWM. That is, Dead White Men. My classes were 90% American and English literature, and the books probably 90% DWM authors. At the time, I didn't question it. We were reading what was considered to be classics, and I enjoyed most of the books.

But a few years ago a friend confessed that his girlfriend was annoyed with him for constantly reading DWM. Why wasn't he bothering with female authors? So he spent an entire year trying to read nothing but female authors. I can't say I ever went as far as that, but I did become more aware of not just what, but who I was reading. I am certain there are many people who might agree more women writers need to be taught at schools. On the plus side, I think they are very well represented in modern publishing. Glancing at my bookshelves now, I'd say I've a pretty good male-female balance.

My real concern with reading, though, is that very few people read books in translation. Possibly worse, UK and US publishers seem more keen to export their own authors rather than finding great works of world literature. So many people will say that reading offers an expanded view of the world, but I find it hard to agree with that when most of us only read from a select geographical region.

That's not to say great works of foreign literature don't make it into English. There has recently been a surge of interest around Scandinavian stories thanks to Steig Larsson. Many classics come from outside the English-speaking world as well. But I still feel most English-speaking publishers are interested in selling, rather than buying, foreign rights.

And this is when I discovered Pushkin Press, who only publish books in translation. There was a book in Waterstones that kept catching my eye. The cover was gorgeous, and it was so much fatter than all the other books on the children's shelves surrounding it. A story about a knight on a quest isn't usually the first thing I go for, but I found I couldn't resist any longer.

The Letter for the King was originally written in Dutch by Tonke Dragt in 1962. She's considered to be one of the greatest Dutch writers for children, yet I would guess most of us outside the Dutch-speaking world wouldn't have heard of her. A shame, really.

The Letter for the King is fantastic. It is written in an older, more simple language than is used in most books today, but has so much charm. Tiuri, our would-be knight had he not been charged with an urgent task of delivering a letter, is a wonderful protagonist for children. His thoughts are simple, easy to understand, yet he is intelligent, brave and incredibly loyal to his task. Throughout his quest to deliver a letter to a king of a neighbouring kingdom, he encounters many people who offer to help him, and many times his trust in others becomes a misfortune in his tale. There are enemies lurking, willing to kill the young man in order to steal the letter.

Despite its hefty length for a children's book (460 pages), The Letter for the King is an exhilarating read with some lovely illustrations by the author. Each step of Tiuri's journey brings another adventure, another danger, and another friend who shows that often there is more good than evil in the world.

I commend Pushkin Press for finding books to translate and publish in English, and I can't wait to see more of what Pushkin bring into the English market. They've done a fantastic job with The Letter for the King, and I would highly recommend this title to anyone wanting a bit of old-fashioned chivalry and adventure.